Kurt Kren Filmes
- 1968
Satisfaction
Satisfaction9.51968HD
An experimental, bizarre and a very different shooting of an association between the sexes.
- 1978
36/78: Rischart
36/78: Rischart4.51978HD
Hans-Peter Hochenrath and Birgit Hein made a documentary film about me for the Saarland Network and wanted me to make a self-portrait. Instead of...
- 1969
Porträtfilm: Kurt Kren
Porträtfilm: Kurt Kren01969HD
Ludwig Schönherr | Federal Republic of Germany | 1969 | 18 fps | 3'25" | silent
- 1957
1/57: Experiment with Synthetic Sound (Test)
1/57: Experiment with Synthetic Sound (Test)4.51957HD
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a...
- 1973
29/73 Ready-Made
29/73 Ready-Made01973HD
In a TV film about the film Casablanca, Kren is meant to read aloud three letters that Groucho Marx wrote to Warner Bros., because they wanted to...
- 1969
22/69 Happy-End
22/69 Happy-End01969HD
Kurt Kren filmed pieces of feature films in the cinema without looking through the viewfinder. The missing sexual climax from the cinema was added by...
- 1965
10c/65: Brus wishes his Christmas on you
10c/65: Brus wishes his Christmas on you2.51965HD
A kind of home movie made in Brus' apartment. Brus' Christmas wishes can be seen on a poster which he painted and which he holds for a short time in...
- 1984
43/84: 1984
43/84: 1984101984HD
Kurt Kren recorded the last television debate in the Reagan/Mondale election campaign. In the viewfinder, the television filled the entire picture,...
- 1973
28/73: Time Exposure(s)
28/73: Time Exposure(s)21973HD
A man's head is seen in silent close-up using single-frame shooting and time exposure.
- 1973
30/73 Coop Cinema Amsterdam
30/73 Coop Cinema Amsterdam01973HD
Kren shows the cinema (mentioned in the title) during and after film presentations. He uses single-frame and time exposures 5 to 30 seconds long....
- 1979
38/79: Sentimental Punk
38/79: Sentimental Punk3.51979HD
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a...
- 1960
3/60: Trees in Autumn
3/60: Trees in Autumn6.41960HD
The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer...
- 1962
5/62: People Looking out of the Window, Trash, etc.
5/62: People Looking out of the Window, Trash, etc.51962HD
Almost as if entering the picture frame by chance, mute characters lean out of Viennese apartment windows, simply to have a look.
- 1967
16/67: September 20th
16/67: September 20th2.31967HD
A collage of many visuals. A man urinates; a man has a drink. A man defecates; someone eats a meal. 16/67 September 20: ‘The Eating Drinking...
- 1965
11/65: Helga Philipp Painting
11/65: Helga Philipp Painting31965HD
11/65 Bild Helga Philipp is an optical abstraction of an optical abstraction: Kren has simply intercut filmed movements and sections from an Op...
- 1969
Scheiss-Kerl
Scheiss-Kerl11969HD
Another try by the Viennese actionists around Otto Mühl, trying to shock the middle-class bourgeoisie with all sorts of explicit sexual and...
- 1983
42/83: No Film
42/83: No Film5.31983HD
"In 1983, I got a job as a museum attendant and abandoned film-making entirely. And so the question arose: "no film?," and the conclusion I came to...
- 1996
50/96 Snapshots (For Bruce)
50/96 Snapshots (For Bruce)81996HD
Kurt Kren records snapshots of visitors to Vienna who are photographed in front of the statue of Johann Strauss Jr.
- 1981
40/81 Breakfast im Grauen
40/81 Breakfast im Grauen91981HD
Kren in New Hampshire, New England. Together with friends he lived from the demolition of wooden houses and sale of the wood. Kren was the "nail...
- 1981
39/81 Which Way to CA?
39/81 Which Way to CA?101981HD
Kren on his way from Vermont to California. Kren says that his various cars are the thread which runs through the story. (Hans Scheugl)